Let’s be honest, plastic surgery didn’t just become accepted. It became expected. Somewhere between the rise of injectables and the algorithm, we stopped questioning it. What was once whispered about is now casually discussed over dinner, openly documented on TikTok, and framed as just another form of self-care. Botox at 25. Lip filler as a rite of passage. “Subtle tweaks” positioned as maintenance, not transformation. And the narrative that made this shift possible? Empowerm

In the influencer economy, we talk endlessly about the girl in the frame. The outfit.The aesthetic. The perfectly composed image that lands on millions of screens. But rarely do we talk about the person holding the camera. For Linda Schulz, Roe Magazine’s March cover star, that person is Mati, her boyfriend, creative partner, unofficial photographer, strategist, and the quiet force behind the images that built her career. While Linda’s name is the one audiences know, Mati has

For years, Euphoria has been praised as the defining visual language of Gen Z; stylised, chaotic, emotionally raw. But with Season 3, something has shifted. And not in the way its creator, Sam Levinson, might think. What once felt like an unfiltered exploration of youth now feels like something else entirely: indulgent, voyeuristic and, at times, deeply uncomfortable for all the wrong reasons. The Problem: When One Voice Becomes Too Loud There’s a reason most prestige televis

At Coachella 2026, where everything is supposed to be hyper-produced and perfectly curated, Justin Bieber said… what if we just vibe? And that’s exactly what he did. In a headline set that will likely go down as one of the most unconventional—and culturally defining—Coachella performances to date, Bieber stripped back the idea of what a festival set should look like and replaced it with something far more reflective of the internet generation he helped shape. Instead of follo

In a digital world that rewards speed, sameness, and surface-level attention, Paolo Fiore is choosing something slower, sharper, and far more personal. He is not interested in becoming just another face in the algorithm. He wants to build a body of work. He wants to act, direct, write, create, and tell stories that live beyond the scroll. And more than anything, he wants it to mean something. Speaking to us from Berlin, where he shares a creative office with close collaborato

You know when you repeat a word so many times that it starts to lose its meaning? I couldn’t help but wonder… Life, much like fashion, has become watched, scheduled, and optimised to the point where it feels as though no one is really having fun anymore. And with that, identity has blurred into a loop of online personas that coexist, overlap, and dilute each other between camera lenses and curated Instagram feeds. Everyone is trying to be cool, chic, and sexy, but what most p

There’s a quiet intentionality to the way Dragos Sora moves through the world, one that translates seamlessly into his work. I’ve been personally following his journey for some time now, drawn to the way he captures what others might overlook: the in-between moments, the raw light, the feeling before the frame fully forms. His approach is rooted in observation rather than control. There’s a sense, when looking at his work, that this is only the beginning, and that something m

No matter the name, Ye is still Kanye West, and he’s still saying what no one else will.I think people are focusing on the wrong things when it comes to Bully. The rollout, the controversy, the name; Ye vs Kanye. It’s easy to get caught up in all of that. But if you actually sit with the album, if you listen properly, read the lyrics one by one, something else becomes very obvious: This isn’t random. It’s not chaos for the sake of chaos. It’s intentional. Because at the core

Some creative careers begin with a plan. Others begin with a feeling, a quiet sense that something is missing, and a curiosity strong enough to follow it. For Ken, filmmaking did not come from film school or a lifelong blueprint. It came from instinct. From picking up an iPhone while working in finance. From filming friends in music studios. From noticing that what excited him most was not the safe, expected path he had already stepped onto, but the possibility of making some

There’s something deeply disarming about honesty. Not the curated kind. Not the version that’s been softened, filtered, or repackaged to be more “digestible.” But the kind that arrives unpolished. Emotional. Uncertain. The kind that doesn’t try to have all the answers, but simply tells the truth. That’s what Gabrielle Caunesil   did in her recent YouTube video, The Hardest Decision I Have Ever Made | Healing Journey. She didn’t just explain why she had been absent. She opened

It started, as most modern existential crises do, with an Instagram Reel. Specifically, a video by Stanzi Potenza titled “Where have all the good girls gone?”, a humorous (and slightly too accurate) take on modern dating that left the internet collectively nodding, laughing, and maybe rethinking a few life choices. Naturally, it raised an equally pressing question. A question whispered over brunch mimosas, dramatically sighed into group chats, and occasionally shouted at the

In a culture defined by speed, scroll, and saturation, one question keeps resurfacing: can art still make people pause? Because beyond trends, beyond virality, there is something harder to achieve: making a generation care about art, about history, about references that existed long before them. And right now, there is arguably only one artist operating at that level with both precision and mass appeal: Rosalía. Not just consuming culture, but reframing it, reintroducing it,

Photography courtesy of @ devininanewdress Through silence, memory, and the poetry of everyday life, the NYC-based director, Devin Desoouza, creates short films that linger long after they end. Some directors rely on spectacle to move people. Devin does the opposite. Before we ever spoke to him, his work had already stayed with me in a way that very few creatives’ work does. It wasn’t just something I came across once and liked, it was something I kept returning to. The kind

She didn’t set out to become the internet’s next fashion fixation. She just had two free months, a good eye for outfits, and the nerve to begin. There’s something almost ironic about calling Linda Schulz an “It-Girl.” Not because she isn’t one. She is - entirely. The outfits, the ease, the visual consistency, the million following, the polished coolness that makes fashion audiences stop scrolling. But unlike the archetype the internet has spent years romanticising, Linda did

In fashion, clothing rarely exists in isolation. It carries intention. It signals identity. It often reveals the life someone is building long before they arrive there. As the Autumn/Winter 2026 Fashion Week season comes to an end, the industry once again turns its attention to the people shaping style beyond the runway; creators who translate fashion into everyday life. One of them is London-based creator Olaf Hernandez , whose distinctive silhouettes, bold color combination